The disturbing uncertainty of the times comes through loud and clear in the film, without ever becoming explicitly allegorical. Romero’s Night of the Living Dead had also changed the face of the horror genre and reflected the cultural anxieties and chaos of the late 1960s, The Texas Chain Saw Massacre provided viewers with an even more uncompromising vision of Vietnam-era America, where young people were treated like cattle and arbitrarily selected for slaughter in the prime of their lives, and where Manson-like cults could operate undetected in isolated rural corners of the country. ![]() Nevertheless, they ignore the cook’s ominous advice, and soon cross paths with the Ed Gein-inspired Leatherface ( Gunnar Hansen) and his family of former slaughterhouse workers, who take pleasure in killing passersby and putting them on the dinner table. Before reaching the house, they pick up an unhinged hitchhiker ( Edwin Neal) near a slaughterhouse and meet a gas station owner and barbecue cook (Jim Siedow), who advises them not to go looking around the nearby houses. Partain) and his sister Sally ( Marilyn Burns), are traveling through Texas in an Econoline van during the middle of summer, apparently looking for Franklin and Sally’s childhood home. The story is simple: A group of four friends, including a wheelchair-bound “invalid” named Franklin ( Paul A. The shoot lasted 33 days and contained multiple incidents of accidental injuries, on-set vomiting, and extreme exhaustion resulting from long shooting days in the relentless August heat, but resulted in one of the most intense and influential horror films of all time.Ĥ3 years later, The Texas Chain Saw Massacre is still as startling and unnerving as ever, despite the fact that its plot devices have been reused countless times in the later slasher films and extreme shockfests that have drawn inspiration from it. He gathered together a cast and crew of Austin-area locals and rented an isolated house in which to shoot his film. ![]() ![]() A recent film school graduate from the University of Texas named Tobe Hooper, with a feature-length art film named Eggshells under his belt, was planning to break into the mainstream with a low-budget horror film about a dysfunctional clan of rural cannibals.
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